But the stronger moments here also suggest a hum of musicianly exchange.
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Lorber, who will turn 60 this year, brings a clinical precision to his output in the studio, on Fender Rhodes piano or various other keyboards. Evidence abounds, but we’ll limit this hearing to a pair of high-spirited, expertly made, otherwise dissimilar new albums, by the alto saxophonist Candy Dulfer and the keyboardist Jeff Lorber. We can, however, say this with confidence: The state of smooth jazz is strong. Whither the soul of smooth jazz? A fair question and probably an unanswerable one, given the terms of a genre so omnivorous, so famously squishy. People may let Gotye down, and vice versa, but the gadgets never do.
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The album’s one wholeheartedly joyful song is “State of the Art,” full of pitch-shifted praises of an electric home organ that has built-in drumbeats and simulated choir - a gizmo supreme. There’s the perky little xylophone line in “Somebody That I Used to Know,” the jazzy electric-piano sample that circles through “Smoke and Mirrors,” the galloping beat and floating guitars of “Eyes Wide Open,” the way “In Your Light” meshes hand-clapping, guitar-strumming folk-pop with soul horns and booping electropop. Gotye worries about humanity destroying the planet through overconsumption in “Eyes Wide Open” and sees an entertainer’s life as a fraud in “Smoke and Mirrors.” He portrays himself as a boyfriend who’s more self-absorbed than sensitive he apologizes for being “wrapped up in myself” in “Giving Me a Chance,” while in “Somebody That I Used to Know,” after he moans about his ex shutting him out, the ex (portrayed by Kimbra) shows up to remind him about “all the times you screwed me over.”īut his snappy pop constructions fight the moping. The terse guitar lick that opens “Somebody That I Used to Know,” for instance, is a few notes from the Brazilian musician Luiz Bonfá. Gotye, a Belgian-Australian songwriter born Wouter De Backer, is largely a one-man studio band, playing many instruments and building songs around samples from a record collection apparently filled with vintage soul, lounge music, soundtracks and exotica. The album merges catchy gizmo-loving pop constructions with a stalwartly depressive mindset. Now “Making Mirrors” arrives in the United States along with Gotye himself, who is performing Monday at the Bowery Ballroom. Keyboards, Guitar: Jeff Lorber Guitar: Michael Thompson Guitar Solo: Larry Koonse Electric Bass: Jimmy Haslip Drums: Vinnie Colaiuta Percussion: Lenny Castro Soprano Saxophone: Gary Meek Mixed by Michael H.First things first: Yes, Gotye sounds a whole lot like Sting when he sings the chorus of “Somebody That I Used to Know.” That tinge of pop familiarity may have helped make the song an international hit when Gotye’s third album, “Making Mirrors,” was released last year in Australia, where he lives. Soprano Saxophone: Gary Meek Congas: Lenny Castro
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Electric Bass: Jimmy Haslip Drums: Vinnie Colaiuta Horn Section and Horn Arrangement: David Mann Tenor Saxophone: Gary MeekĮlectric Guitar: Paul Jackson Jr. Keyboards, Guitar and Moog Bass: Jeff Lorber Saxophone: Bob Mintzer Keyboards and Guitar: Jeff Lorber Electric Guitar: Paul Jackson Jr. Horn Section and Horn Arrangement: David Mann Mixed by Michael H. Guitar, Bass and Keyboards: Jeff Lorber Guitar: Paul Jackson Jr. Horn Section and Horn Arrangement: David Mann Congas: Lenny Castro Brauer mixes at Electric Lady Studios, New York, NY (through an SSL board) assisted by Steve VealyĬraig Bauer mixes at Hinge Studios, North Hollywood, CAĮlectric Bass and Bass Pulse: Jimmy Haslip Klaus Martin sequences recorded by Klaus in Cologne, Germany Recorded by Jeff Lorber at JHL Sound Pacific, Palisades, CA except:Īsh Soan drums recorded by Ash at Soanup Studio, Norfolk, GBĭave Mann horns recorded by Dave at Mannerism Studio, NYC, NY String and Orchestra Arrangement and Performance: Dave MannĪll Songs written by Jeff Lorber except Hidden Agenda co written with Jimmy Haslip Keyboards, Synth Bass, Guitar: Jeff Lorber Mastered by Gavin Lurssen at Lurssen Mastering, Los Angeles, CA
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Jeff Lorber Publishing: Songs of Lorb ASCAP Michael Thompson recorded by Mike at Cocoa Butt, Culver City, CA Recorded by Jeff Lorber at JHL Sound Pacific Palisades CA except for the following:ĭave Mann horns recorded by Dave at Mannerism Studio, NYC Piano, Rhodes, Guitar, Minimoog, Synth Bass: Jeff Lorber Piano, B3, Rhodes, Minimoog, Synth Bass: Jeff Lorber Piano, Rhodes, Synth Bass, Guitar, Minimoog: Jeff Lorber Piano, Rhodes, Guitar, Minimoog: Jeff Lorber Piano, Rhodes, Guitar, Synth Bass, Jeff Lorber Horn Arrangement and Performance: Dave Mann